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An introduction to the fascinating life of Diana Poulton who was an early music pioneer, lutenist, editor, and biographer of John Dowland. Poulton studied with Arnold Dolmetsch, extensively researched early sources herself and taught several generations of lutenists, many of whom have since become internationally famous. […]
Alfred Deller, the Leonhardts & the Harnoncourts: their first ground-breaking recording made on original instruments in Vienna in May 1954. With details of the historical organ used, an excerpt from the record and a link to a 1952 Dutch radio recording. […]
French harpsichord virtuoso Christophe Rousset plays on no fewer than six of the historical harpsichords from Edinburgh’s Raymond Russell Collection in a series of three concerts, given as part of the Edinburgh International Festival […]
The Dolmetsch Family with Diana Poulton: Pioneer Early Music Recordings, volume 1 is an important historical document for anyone who’s interested in two generations of early music pioneers who were active before the Leonhardt/Harnoncourt era even began. […]
Report on the Gustav Leonhardt symposium August 2012 by Jed Wentz. This famous baroque-music pioneer was honoured by his peers with performances and papers. […]
A short report on a singing master class, given by early music pioneer Emma Kirkby, who is famous for her work with Anthony Rooley & Christopher Hogwood. […]
Arnold Dolmetsch remembered, by his wife, Mabel. A blog post on this book, from 1957, highlighting aspects of the life of this great “early music” pioneer. […]
When the manuscript of My Ladye Nevells Booke, by William Byrd, was acquired for the British Library in 2006, at a total cost of almost £1 million, it caused scarcely a ripple in media circles, even in Britain. Six year on, it seemed worthwhile to revisit the story and explain the significance – and the high price tag – of this small but precious volume. […]
In an earlier post I introduced Boris Ord, the conductor of King’s College Choir for nearly 30 years. But what else do we know about him? […]
Despite having amassed almost twenty thousand signatures on an internet-based petition, Sigiswald Kuijken’s baroque orchestra, La Petite Bande, has been definitively told that it will receive no more money from the Belgian government. […]
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