Archive

Raymond Russell, collector, harpsichordist, author, and the man behind the famous instrument collection.

Raymond working at a Pleyel

Guest blogger: Kate Hawnt

Shortly after moving in to her new home, Mottisfont Abbey, the indomitable Maud Russell noted in her engagement book:

April 4 1935. Take boys to Londonderry House to hear Mrs Woodhouse.

Maud, a wealthy heiress, was married to Major Gilbert Russell, a […]

A nineteenth-century harpsichord promoter, with a famous music collection, who had dealings with Arnold Dolmetsch, Part 2

Taphouse’s 1743 Hass clavichord. By kind permission of the Bate Collection, Faculty of Music, University of Oxford. Copyright © 2016

T.W. Taphouse and early keyboards

In 1857, when he was aged just 19, Taphouse bought “a remarkably fine harpsichord by Shudi and Broadwood [made in 1773]” which “led me to take an interest […]

A nineteenth-century harpsichord promoter, with a famous music collection, who had dealings with Arnold Dolmetsch, Part 1

The library of T.W. Taphouse was very famous during his lifetime and his harpsichords were often used for concerts and exhibitions. His name is now forgotten, and it’s a tragedy that everything was sold off after his death. […]

Gustav Leonhardt & Martin Skowroneck – Making harpsichord history

The harpsichord, based on Dulcken 1745, which Martin Skowroneck built in 1962 for Gustav Leonhardt was an important milestone in the early music revival. This article covers their first meeting and Skowroneck’s earlier work which led him to make this game-changing instrument. […]

Arnold Dolmetsch remembered

Arnold Dolmetsch remembered, by his wife, Mabel. A blog post on this book, from 1957, highlighting aspects of the life of this great “early music” pioneer. […]

How famous is scholar, conductor and harpsichordist Thurston Dart, 40 years on? Part 2

With the death of Dart’s close personal friend and executor William Oxenbury, Gustav Leonhardt is now probably the only person alive who knew Dart, but not as a teacher. They were apparently well acquainted and served together on the jury at the harpsichord competition at Bruges.

Their approach to Froberger seems quite similar in […]