Graduating in 1934, she was the first professional Dutch harpsichordist who performed with all the early Dutch pioneers and Brüggen and Leonhardt; she worked both as a soloist and continuo player with several orchestras. […]
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Graduating in 1934, she was the first professional Dutch harpsichordist who performed with all the early Dutch pioneers and Brüggen and Leonhardt; she worked both as a soloist and continuo player with several orchestras. […] Carel van Leeuwen Boomkamp (1906–2000) was a Dutch early music pioneer who reintroduced the viola da gamba and violoncello piccolo in the 1920s and 1930s. […] “There is a fragrant air about the[se] concerts of old music …” (The Times Oct. 1927) They combine scholarship and entertainment, which is a very rare. […] Although Ambrose Gauntlett (1889–1978) was a full-time orchestral principal, he was the most sought-after continuo cellist and gamba player in the UK from around 1930. […] Guest blogger: Sally Gordon-Mark, writer/researcher/translator/teacher, was a student and devoted friend of Huguette. November 30th would have been Huguette Dreyfus’ 88th birthday, but the effervescent concert artist and beloved teacher, the self-proclaimed “inexhaustible chatterbox,” silently […] By Guest Blogger: Mandy Macdonald One fine morning in the summer of 1904 a van drew up at our door and from it emerged Arnold Dolmetsch and a harpsichord. He had previously asked me to play in Bach’s Double Concerto in C major with Miss [Kathleen] Salmon […] Guest blogger: Kate Hawnt Shortly after moving in to her new home, Mottisfont Abbey, the indomitable Maud Russell noted in her engagement book: April 4 1935. Take boys to Londonderry House to hear Mrs Woodhouse. Maud, a wealthy heiress, was married to Major Gilbert Russell, a […] The musicologist and Dolmetsch student, Robert Donington (who himself was a member of the group, 1950–1961), once referred to the London Consort of Viols (LCV) as a “semi-official BBC team”, and they certainly might well […] Speaking in an interview in 2012, Nikolaus Harnoncourt, who died on 5 March 2016, aged 86, said that his closest musical […] Musica Reservata, led by Michael Morrow (1929-94), was an influential early music ensemble active in the 1960s and 70s with a repertoire that spanned from medieval to baroque. […] |