For details of the instruments, the players, and their comments about rehearsing with Leonhardt, in the early days of the Consort, see the first post about the second phase.
The concerts
Wim ten Have estimated that the Consort gave around 75 […]
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For details of the instruments, the players, and their comments about rehearsing with Leonhardt, in the early days of the Consort, see the first post about the second phase. The concerts Wim ten Have estimated that the Consort gave around 75 […]
Although the Leonhardt Consort is perhaps best remembered today for its complete recordings, as a baroque orchestra, of the Bach Cantatas (shared with Concentus Musicus, Wien), it began life as […] The first version of the Leonhardt Consort (est. 1954), with harpsichord, recorders and strings, is very little known, and finding information has been difficult. Yet this short-lived co-operation with the then well-known recorder virtuoso Kees Otten undoubedly helped Leonhardt’s reputation. With rare photos and translated extracts of an interview with Otten, on Leonhardt’s approach and their concerts with Alfred Deller. […] |