Graduating in 1934, she was the first professional Dutch harpsichordist who performed with all the early Dutch pioneers and Brüggen and Leonhardt; she worked both as a soloist and continuo player with several orchestras. […]
|
||||
|
Carel van Leeuwen Boomkamp (1906–2000) was a Dutch early music pioneer who reintroduced the viola da gamba and violoncello piccolo in the 1920s and 1930s. […] “There is a fragrant air about the[se] concerts of old music …” (The Times Oct. 1927) They combine scholarship and entertainment, which is a very rare. […] Although Ambrose Gauntlett (1889–1978) was a full-time orchestral principal, he was the most sought-after continuo cellist and gamba player in the UK from around 1930. […] The composer, Professor Peter Dickinson, remembers the charismatic early music pioneer and recorder virtuoso David Munrow, for whom he wrote new works. […] Huguette Dreyfus at home in the early 1960s, playing her Blanchet. From a private collection, all rights reserved. Guest blogger: Sally Gordon-Mark, writer/researcher/translator/teacher, was a student and devoted friend of Huguette. November 30th would have been Huguette Dreyfus’ 88th birthday, but the effervescent concert artist and beloved teacher, the self-proclaimed “inexhaustible chatterbox,” silently […] Nellie Chaplin in 1910 By Guest Blogger: Mandy Macdonald One fine morning in the summer of 1904 a van drew up at our door and from it emerged Arnold Dolmetsch and a harpsichord. He had previously asked me to play in Bach’s Double Concerto in C major with Miss [Kathleen] Salmon […] FLTR: Harry Danks (treble viol), Stanley Wootton (treble viol), Jacqueline Townshend (tenor viol), Desmond Dupré (tenor viol) The musicologist and Dolmetsch student, Robert Donington (who himself was a member of the group, 1950–1961), once referred to the London Consort of Viols (LCV) as a “semi-official BBC team”, and they certainly might well […] The Belgian early music pioneer explains why period style matters, no matter what period. by Clive Paget “For me Stockhausen and Messiaen is early music.” Now there’s a provocative statement, but then Jos van Immerseel has been provoking a response on and off for 40 years now. The Belgian early music pioneer [ … […] Presentation of the Erasmus Prize, 8 September 1980. F.l.t.r.: Alice Harnoncourt, Marie Leonhardt, Prince Bernhard of the Netherlands, Nikolaus Harnoncourt, Gustav Leonhardt. © Marcel Antonisse/ Anefo; Nationaal Archief, archiefinventaris 2.24.01.05, inventarisnummer 931-0044 Speaking in an interview in 2012, Nikolaus Harnoncourt, who died on 5 March 2016, aged 86, said that his closest musical […] |
||||